Object |
Cathedral of the Resurrection |
Dating |
1772–1776. |
Type |
A monument of architecture. |
Status |
a cultural heritage site of federal importance. |
Address |
15 Orlova St., Vologda, Russia. |
Authorship |
architect Zlatitsky. |
Part of the ensemble |
Vologda Kremlin (Archbishop’s Court). |
Thrones |
the main altar is consecrated in honor of the Resurrection of Christ, on the ground floor there is the throne of Kiev - Pecherskiye miracle workers. |
A brief description |
The Cathedral of the Resurrection was built as a warm cathedral in the Vologda diocese in the baroque style.
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Condition |
satisfactory. |
Contemporary use |
the Central Exhibition Hall of the Vologda Regional Art Gallery. |
History
Under Bishop Joseph Zolotoi, in place of the dismantled corner tower of the Kremlin in 1772-1776 the warm Resurrection Cathedral was constructed upon the project of architect Zlatitsky. Also the passages leading from the bishop’s chambers to the cathedral were built. In 1805 the throne on the ground floor of the cathedral was consecrated in the name of Kiev - Pecherskiye miracle workers.
In 1938 the cathedral was closed. In 1950 the art department of the regional museum was opened here. It became a basis for creating in 1952 an independent Vologda regional art gallery. In 1954 the first exposition was opened in the building. Now art exhibitions are being organized here.
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Architectural description
The Cathedral of the Resurrection is a two-storey five-domed building of the baroque architecture. To its main round body covered with a huge spherical dome with an octagonal head, four small antechurches, an altar and a refectory are attached. The antechurches are topped with blind eight-faced two-storey heads - turrets. Five small helmet-shaped cupolas of the cathedral are topped with Greek crosses. The second floor is decorated with columns, resting on a high panelled base-line. Wide pilaster cornices divide the floors and crown the walls of the building. The reveal lining of the big windows of the second floor have a complicated, never repeating pattern. Located at the base of the dome small skylight windows have an oval shape. The temple room on the second floor represents a big double-height hall covered with a blind spherical dome without visible joints. The ground floor space is divided by several massive pillars which support the low vaults. A spiral staircase connects the floors.
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Restoration
In 1824, for the arrival of Emperor Alexander I a grand entrance in the form of a four-columned portico with a triangular pediment, facing the Kremlin square, was attached to the cathedral. In 1832 – 1833 the cathedral was repaired. The doorway between the refectory and the church was considerably extended. Inside, the cathedral was plastered and painted by the icon painters from Yaroslavl. A new timber floor and a new single-tier iconostasis were made. In 1848 the mural painting of the cathedral was overwritten. After the cathedral closing in 1938 the iconostasis was dismantled, and the mural was lost.
Text by Alexander Suvorov.
Translated by Olga Leonidova.
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Information about the partner of the project
In 2013, through the funding of our project partner, the communications and mobile operator Tele2, an information plate containing a QR-code was installed on the Сathedral.
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